June ArtStart Reflection

Another jam-packed month, and I’m now halfway through my ArtStart year. This monthly reflection coincides with finishing up in the UK, so I’ve been both concluding activities here and planning for the next lot in the second half on the year.

With some sadness, I finished my course of lessons with Carla Rees last week. It has been great to work on some low flute fundamentals with Carla, and to hear how she has created a career for herself through performing and other musical activites. We spent quite a bit of time in the last lesson working on bass flute. I’m playing bass for a piece at the SoundSCAPE Festival next week, and was keen to get some practice time in ahead of the festival itself. I haven’t played bass in about a year now, and was finding it rather frustrating – surely I could make a fuller sound in the low register! Strong embouchure, lots of air but slow air. Hopefully some more time at SoundSCAPE will solve this.

I’m flying to Italy tomorrow morning for SoundSCAPE, and have been getting excited. I’m playing four new works by composers at the festival, along with some chamber music and solo pieces, and will be giving a presentation on new music in Australia as well. The next two weeks will certainly be busy. I’m hoping to have some time for daily blogs, but in a more creative vein than those I wrote at Trevor’s. Stay tuned!

No final exam, but I did get a certificate!

No final exam, but I did get a certificate!

On Tuesday, I finished my Practical Financial Management for Small Businesses course, rounding out with a class on taxation. While this and week nine on VAT have been rather UK-specific, I think it will be easy enough to transfer the concepts to Australia (or anywhere else for that matter!). I won’t miss the class, but it was well-taught and I feel much better equipped to deal with money and budgetary matters in a chamber ensemble or small arts organisation in the future.

Then comes organisation for my trip to the U.S. in August. I’ve booked flights to Washington D.C. for the NFA Convention, which starts on August 13th. The program came out a few days ago online, and I’m amazed at how many events are running concurrently! Each days runs from 8am to midnight, with up to seven or eight concurrent events across concerts, lectures, workshops and repertoire reading sessions. I feel like I’m going to need to allocate an afternoon to sitting down with a highlighter and working out where to go. Then I’m heading to New York for a week, where I’m having some lessons. This part of the trip is not yet fully sorted, and I need to spend some more time following up with flautists and Harvestworks, where I’m hoping to take an electronics class. I’m definitely having a lesson with Robert Dick, and will be preparing some of his Flying Lessons to work on.

Fun with Max - a tutorial on basic maths!

Fun with Max – a tutorial on basic maths

Finally, I’ve also sat myself down and made a start on Max MSP. The software has a number of segments, with Max being programming and MSP being the audio component that I’m interested in. I rather optimistically thought that I could just dive into MSP, but couldn’t many any sense whatsoever of the first tutorial! So I’ve decided to start at the very beginning with Max tutorial 1, and am now up to no. 10. The language itself is quite user-friendly, and I’m finding it easy to understand the processes and the reason behind it. However, it feels like there’s a lot to do before I can start working on programming for flute with electronics. The challenge will be starting to build my own patches and remember what all the various objects do!

At the halfway point of my ArtStart grant I feel pretty on top of things. While I haven’t yet undertaken the two major projects of the year, one is imminent and the other is feeling less daunting the more planning I do. I’m on track to tick off everything on the list, though some things like Max are definitely a long-term project. It was sad to hear this month that the Australia Council for the Arts will no longer be offering the ArtStart program due to government funding cuts. It will be sorely missed on the Australian arts scene.

March ArtStart Reflection

A slightly belated ArtStart post for March, what with everything finishing up at the Flute Studio course and now being on holiday for a few weeks. The last month of ArtStart-related activities has been something of a step backwards and a reconsidering of options, but I now feel more or less on track again. Here is what I’ve been up to:

The AirTurn PED for my iPad arrived, which is exciting. I waited a little longer to get the PED rather than the older BT-105, as the PED was both cheaper and lighter, and am really happy with it. I’ve been using it in the practice room with scores that are on my iPad, but haven’t had the chance to test it beyond that as Trevor wasn’t terribly into technology. I have the ForScore app on my iPad, and need to play around a bit with sorting out page turns still. At the moment, I loose my spot when the page scrolls down…

In the first week of March, I heard  back from Bang on a Can, and wasn’t accepted to the program this year. It was a bit of a disappointment, but I have no idea who else applied so shouldn’t be too hard on myself. The question then became how to redirect my ArtStart funds in a way that gives me a similar musical/education experience but coincides with other plans. Various friends and mentors suggested summer programs in both the U.S. and Europe, and I’ve spent quite a few hours looking through them all (and my diary) trying to work out the best options.

In the end, I’ve decided to return to SoundSCAPE for a couple of reasons. Firstly, I want to go to a festival where I can play chamber music with a broader range of instruments than just flutes. Much as I love the flute, I’m yearning for greater diversity in the music I play, and think that I would find a flute summer course a bit frustrating. I’ve had my six months at the Flute Studio – bring on something a bit different! And then, while there are some other courses on in June in the U.S., I’m still committed in England. Going back to SoundSCAPE will give me another opportunity to work closely with Lisa Cella, and I know the ropes so will be able to prepare some challenging pieces. I’m also going to be giving a talk on contemporary Australian music as part of the festival!

So where does that leave my U.S. trip? I’m still planning on going, at least for the NFA convention, but am also awaiting the results of some job applications in Australia. I hope to be able to fit in some lessons in NYC as well, but also need to look into the possibility of them happening during (or maybe directly following?) the NFA convention.

The end of March means I’m already a quarter of the way through my ArtStart year. While some things have been ticked of my list, and others are well on the way, I’m also learning that making a career in the arts is never a straight road. Things change, and where one door closes another hopefully opens. At the moment, it feels like I’ve thrown lots of juggling balls up in the air, and need to wait for some of them to land to decide exactly what happens next. Which order they fall in will be the difference in choosing one path or another, which at once feels like an exciting and terrifying way of deciding things! I now know I’m coming back to Australia in mid-July, but still need to plan out much of the path once I’m there.

Day 181 – March 30th – Last Supper

Though tomorrow is the final day of our six months, my time in Elmsted and Hastingleigh has ended. This morning was final cleaning and packing (everything fitted into my rucksack!), then a quiet afternoon with a book. This evening we had our last supper at Trevor and Dot’s, though with a slight oversight about travel arrangements to get there. I had assumed that Trevor might pick me up with my big bag, but no, we were walking, and I can now say I’ve carried a 17kg rucksack from Elmsted to Hastingleigh! 

Dinner was jovial and Trevor wished us all well for our future careers. Now I’m snuggled up in bed at the New Flying Horse in Wye, and ready for a very early start tomorrow morning. Mum and I are off to Paris, Nice and Lyon on a well-earned holiday. 

I was told some while ago that Trevor’s flute studio is a cross between flute boot camp and finishing school. It has been both, and for now I’m just happy to have survived the whole thing and come out the other end. For now, my daily blog posts are at an end, and I hope the coming weeks and months will bring plenty of time for reflection. It has been an interesting ride! 

Day 92 – December 31st – Farewell 2014

I was rather hoping that we have at least some sort of New Year celebration at the flute studio, but Trevor has decided to go for routine instead! So New Year is “cancelled” until Friday, and we instead have class tomorrow with Roussel’s Joueurs de la flûte and the flute solo from Beethovens Overture ‘Leonore No.3’ on the menu. I’ve played the Roussel before, and we’re each only required to prepare two movements, so I’m feeling a bit more relaxed about tomorrow than in some previous weeks. Though I haven’t worked on the Beethoven in years, it’s not too bad as excerpts go, and hopefully I’ve targeted the things that Trevor’s most likely to pick holes in!

That left me freer to practice a lot of technique and studies today, and I feel like I’m making some progress with the notes in my two Altes studies for next week. The main criticism of the two I played on Monday was that they were too slow, and I’m keen for that not to become a theme. I am noticing some big improvements with speed though: my Taffanel and Gaubert-style scales this morning were much quicker and more even than a few weeks ago. When I think about the phrase shape rather than the notes, I tend to make fewer mistakes.

Mental practice today was focused on the dreaded Bohem study no. 1 (from Trevor’s Complete Daily Excercises), which I am trying to memorise. The problem now is that I know the pattern quite clearly, but tend to forget to make the descending half of the second bar diminished, and then fall over myself when it becomes a dominant 7th in the third bar. Once again, it’s about getting it into the fingers and not thinking too much about it. I’ve been trying to really focus on the physical sensation of playing the arpeggios, and am even imagining myself doing it in my usual place in the studio room as an extra barrier against nerves. I’m hoping that slow and steady will get there eventually – I can play it slowly from memory on my own, but it needs to be faster and more secure.

Since it’s the final hours of 2014, I feel like I should take a step back and reflect on the year. I’ve crammed quite a lot in:

Way back at Easter, I competed at the Aussie marathon kayaking championships, winning a bronze medal in the ladies open K1 and coming fourth in the ladies open K2 with my lovely sister…

…submitted the final copy of my thesis to the Melbourne University library…

…finished off my Masters degree with an epic recital in late June. A new commission from my lovely friend Andrew Aronowicz, Jolivet’s crazy flute and four percussion concerto and much more besides. For the music, but most importantly for the people I was honoured to be able to perform with, it’s a concert I won’t forget in a while! …

…packed up my lovely flat and life at St Mary’s College, and headed off to Europe with a very big backpack…

…spent an amazing two weeks at the SoundSCAPE Festival in Maccagno, Italy playing wonderful music with fantastic new friends…

…traveled round Europe for ten weeks, visiting seven countries, attending the wedding of my wonderful friend Lucia, catching up with friends from my year in Helsinki, visiting my grandparents, hiking barefoot up mountains, cycling in the Loire Valley, trying to speak Italian and German, eating wonderful food and sleeping in nineteen different beds in two and a half months! …

…and arrived here in Kent to Trevor and his flute course.

So 2014 has been a busy one. At the beginning of the year I had no idea where I’d be at the end of it, and I still can’t believe just how much I’ve managed to fit in. As 2015 dawns, I’m still not totally sure where I’ll be in three and a half months time, let alone the end of the year. But I have many musical dreams, some of which are becoming clear goals, and wonderful friends and family who believe in me even when I err. Bring it on.

Day 86 – December 25th – Christmas!

It’s been a bit of a marathon: croissants for breakfast with the Johnson grandparents, off to grandma Hilditch’s for tea and a mince pie (mine of course), then off to my uncle’s with grandma in tow for (lovely, vegetarian-friendly) lunch. Mini flute recital, wine, presents, Queen’s speech, afternoon walk, more wine, Doctor Who Christmas special, skyping Australia…

Grandma and I digesting Christmas lunch!

Grandma and I digesting Christmas lunch!