An extra day of grace due to cancelled class, I did a bit of relaxing and plenty of practice. In the afternoon I took myself off on a long walk down a path I haven’t explored before. It took me across the fields and through some lovely woodland, eventually joining up with the North Downs Way near Brabourne. Though I didn’t spot any daffodils (I think up on the hills it’s still a bit cold) but in the woods could see that things were starting to become very green.
On the way back I visited some of our farm’s lambs – suddenly there are so many! The oldest ones are already out in the field with their mums, and round in the barn there are pens full of them. With the window open, my practice has been accompanied by the call and answer of bleats for a few days now, but I was amazed to see just how quickly the numbers have multiplied. The lambs were gorgeous, white and fluffy with over-sized ears and feet. Most were full of energy, and already eagerly exploring both their new world and each other. For some of them, though, play was all a bit too much and a nap in the sun was more enticing.
I often find I have a really good practice day when class gets postponed, probably because all of a sudden the pressure is released and I can enjoy things a bit more. This morning, I returned to a technical exercise that has been frustrating me – Taffanel and Gaubert-style scales with mordants on the first and third semiquavers of the descents. I’m not sure whether it was the Altès mordant study I’ve been working on, or my greater relaxation, but the exercise has definitely improved. I’m playing it a lot faster, and most of the mordants are clean and correctly-placed – which just makes the errors more frustrating! If I slip up, I can feel my hands tense up in anticipation of another slip, exactly what I need not to do. Most of the problem areas are up in the third octave, where the trill fingerings aren’t second nature yet.
One of my big problems in class of late has been inconsistency of intonation. It’s something I need to fix, but also something that musicians aren’t terribly keen to talk about! Trevor isn’t being very helpful, just telling me to listen more rather than offering any suggestions for practice. While practicing with a tuner and recording myself (I’ve been doing both a couple of times a week) do help, I feel like this area of my playing has got worse since I’ve been here for two reasons. The first is that I’m now using a much bigger dynamic range and being more daring in my playing, rather than playing it safe. The second is that I’m rarely playing with other people, which I was doing a lot of this time last year.
I think one of the things I’m missing is that reference point of others to pitch off, and so have decided to do some practice with drones over the coming week rather than playing with a visual tuner. Rather than beating myself up about it, I need to work on finding a solution even when I’m not regularly playing chamber music.
Tomorrow we’re off up to London for the final Wibb masterclass of our stay, though I’ll try and go to a few more in the coming months if possible. Then it’s back to Hastingleigh for the final whist drive. Time does move on apace!