Day 146 – February 23rd – Andersen No. 15

Today was a good day, as it seems I’ve finally broken my streak of very negative classes. The Moyse studies, while not perfect, were definitely improved. I still need to focus on tonguing at the front of the mouth rather than doing funny things further back. However, the end is in sight with the 25 Melodic Studies – I might even be able to finish then off next week.

My big achievement for today was Andersen No. 15. I can’t quite believe that I learned it in three days and managed to play it in class to that standard. I’d really focused on the feeling of the piece, showing the dynamics, chord changes and colours. Trevor seemed pretty impressed, and even say it would “stick in my memory”. I just needed to iron out the wrong notes. I wish I’d recorded that lesson now, then I could play it on repeat for the next month to remind myself I can do things right occasionally!

Altès and Drouet studies were mostly ok, definitely nothing like the outburst of last week. It’s the first time in a while I’ve felt really positive after a class, though I am quite exhausted. This evening was declared a no-work time (despite earlier pledges of working on my project), and I’ve spent the last few hours doing very little. Ching Ting made some yummy sushi, and I think after out walk I’ll be early to bed.

Day 145 – February 22nd – Stormy Weather and Motivation

As I sit writing this there is one big storm going on outside. It started just after 4pm, just as I’d decided to go for a walk, and looks set to stay for the night. Hopefully my room won’t get too cold with the wind.

After the very late arrival home last night, I had a bit of a lazy morning, helped on by some Skype chats with friends in Australia. To be honest, I could have done with a day off practice all together, and if we didn’t have class tomorrow would certainly have been tempted to leave the flute in its case and go on a very long walk! This lack of motivation to practice seems to be a problem in recent weeks – I feel ready for a break to properly relax and digest all the information I’ve received. I think most of the others feel the same way too, as nobody seems terribly enthusiastic about class! However,  we still have five weeks to go, and so the holiday will have to wait a bit longer.

I decided today to cut the technique practice down a bit and make sure that I had plenty of time to work on studies. The Moyse 25 Melodic Studies still feel hairy, and I know that with more time I will continue to improve on all the various aspects of articulation. For now, I know I’ve worked hard on it for the past week and that I’ve improved, with I need to keep in mind whatever the feedback tomorrow. By contrast, I’m rather surprised and pleased that Andersen No. 15 feels quite good. On Friday I probably would have said it couldn’t be ready in time, but with quite a bit of work yesterday and today it’s sitting quite nicely. Hopefully it’ll sound good in class tomorrow, and my ability to learn things quickly is improving.

Though I spent most of the day lacking in motivation, a CD I listened to this evening has reinvigorated my musical passions. My listening topic for this week is Barthold Kuijken, a baroque flute specialist. One of the CDs I borrowed out is of a live concert recorded in Rome as part of the Flautissimo series, and features Kuijken playing three of Telemann’s Fantasies for solo flute. The performance was beautifully rhetorical – every note had a meaning and the music was just stunning. Then the next track was of Mario Caroli playing Ferneyhough’s Carceri d’invenzione IIb! A wonderful contrast, and testament to the diversity of the flute. It’s the Telemann, though, that will be playing through my dreams tonight.

Day 144 – February 21st – Belated Beethoven

Last night we headed up to London to see the London Philharmonic Orchestra play an all-Beethoven program under the direction of Marin Alsop. It was a wonderful concert, but trains were delayed getting both there and back, and I didn’t make it back to Elmsted until 1am.

More on the concert later today…for now I really need to practise!

Day 143 – February 20th – Tonguing

After last night’s festivities I had a bit of a lazy morning, but needed to get in plenty of practice in preparation for the coming week of classes. Rather than having a repertoire class on Thursday, we’ve got Juliet Edwards coming back for the last time on Friday 27th. I’m playing the first two movements of the Copland Duo for flute and piano, and am keen to perform a lot better than last time! I’ve spent quite a bit of time already studying the score, and focused today on making sure that all the tricky fingering passages weren’t going to come as a nasty shock later in the week. Though a bit boring, I decided that some good solid lots of repetition with the metronome was the best solution.

My other big focus this week is articulation, since I didn’t do a terribly good job with the Moyse studies in class on Monday. I know that articulation can’t be totally fixed in a week, but am keen to show that I can make some improvement and have strategies for making it better. Trevor’s advice was not just to focus on the things I’m finding hard, but to work all aspects of articulation, which was my mantra for today. Every ten minutes, I’d stop what I was working on and do a bit. Some of the things I worked on were:

– Articulating with the abdominal muscles alone and no tongue. Reichert No. 2 is ideal for this, and I’m still not totally happy with how F major (my starting key) sounds. The middle F and E in particular are likely to crack, and I need to increase my air speed as well as making the hole in my lips a little smaller to stop this. I do not need to move my lips or head to achieve the articulation!

– Dotted rhythms, which are my own personal difficult patch. The second variation of no. 16 from Moyse’s 25 Melodic Studies is giving me particular grief, and I spent quite a bit of my time today trying to make short sections of it sounds as clear and crisp as possible. It needs to sound almost over-dotted (definitely preferable to sounding like triplets!), but at that speed my tongue still isn’t moving fast enough.

– Double tonguing, in particular playing k-t k-t so that the weaker back stroke of the tongue gets a work out. Interestingly, I can do this really quite clearly for a bar or so, and then it totally falls apart. There seems to be no middle ground at all! Definitely in need of more work.

Perhaps thanks to the rainy weather I’m now just over halfway with my flute history project. After the last one, I’m making sure to write in short sentences and non-academic prose!

Day 142 – February 19th – Sheep!

Gong Xi Fa Cai!

Just got back from dinner at Trevor’s to celebrate Lunar New Year. It was a lovely evening – pasta, splendid wine, a rather decadent chocolate fondue for dessert. Then we watched the Royal Ballet School’s Peter and the Wolf on DVD.

As well as it being the year of the sheep, lambing season has started here in Kent. One of the fields on my run today was full of skipping, bleating lambs all white and fluffy. I’m sure more will be on the way soon, and am keen to help out when Elmsted Court Farm has its turn.

More tomorrow.