Though we started a little later than usual, it was back to class today now that Trevor’s on the mend. Having had the extra few days to practise, I was quite confident that I could present something a bit more polished than usual. I’d also taken some more time to focus on my recurring weak spots – dynamics and sloppy dotted rhythms in particular. Overall, my playing was quite good, dare I say a step up from previous weeks. In a nutshell, the feedback was:
Moyse 25, no. 4 – Good expression, good dynamics, but accompanying line wasn’t always even when oscillating between C and D.
Moyse 25, no. 5 – I’d tried to learn the notes to play quickly, rather than thinking about “following each note with the lips”. Back on the menu for next week, along with its partner study no.9.
Moyse 25, no. 6 and 7 – In character and expressive, though a little on the slow side. When I get faster, I need to remember to accent the first part of the beat rather than the triplet in no. 6.
Andersen no. 11 – A few wrong notes here and there, but expressive and even. A little more diminuendo on the last semiquaver of each beat would be good, but at least I wasn’t cutting them!
Altès no. 16 – Expressive, with a particularly good cadenza. I need to watch my trills, which were too fast for the character of the piece, and make sure that my crotchets in the opening melody “disappear into the silence” like a lifted violin note.
Altès no. 17 – Fine, though could have been faster (yes, I know I need to learn to tongue faster – doesn’t everyone?!)
Moyse 50 Variations – Having spent a lot of time on these this week, Trevor seemed much happier about how I was getting along with them. After a few outings, no. 5 was finally passed (jump for joy!), and nos. 9 and 11 were “perfect”. No. 10 was a little harder, and it took a few goes for me to make the difference between the melody line and accompanying parts big enough. I need to keep remembering that for everyone else to hear a big dynamic contrast I have to be making a really huge, supernatural-feeling difference between the loudest and softest notes. Finally, no. 12 was “a bit unstable” and is back on for next week.
I was rather hoping for a bit of chamber music this evening but nobody else seemed terribly interested, so I’ve spent the time working on my new website. Though it’s nowhere near complete, it might be worth taking a look!