Day 134 – February 11th – Articulation

I feel like I spent most of the day practising articulation! Both the excerpts for tomorrow are quite heavy on the tonguing, and then we’ve arrived at a patch of Moyse studies that are all about tonguing as well. On the one hand, I’m quite pleased that my articulation has come on in the past months, particularly in the realm of double and triple-tonguing. On the other, tonguing fasted dotted and double-dotted rhythms is still something of a minefield.

My approach with the excerpts today was not to spend ages on them but to play through them just once a couple of times per practice session. Since Trevor has been critical of my wrong notes of late, the goal was to get rid of them at all costs.

The St John Passion excerpt is mostly about getting through the passage without making any mistakes, and so this approach worked quite well. The goal was to play it perfectly the first time through, without any restarting or fumbling around. By the final practice hour of the day, I made it through several times without error, though it earlier sessions I noticed that I tend to make a mistake in the bar directly following a breath. My solution was then to mark in each and every breath (allowing for nerves in class) and really make sure that I learned them in as well. It seemed to work.

By contrast, the Thieving Magpie excerpt is about just getting through it all triple-tonguing, with a preference for dynamic contrast as well! I found that once I’d got through the first bar or so, that the tonguing wasn’t so bad, but that I often made mistakes when starting because I was still getting comfortable. So then I played just the first bar every ten minutes or so to get it really nice and clear. While the final build-up is still a little bit hairy (my tongue gets tired), I’m happy with the expression in the rest of the excerpt. I played Thieving Magpie with an orchestra only last year, and still am having conniptions about it!

I also went for a run this morning, the first in a while. It wasn’t amazing, and I’ve definitely got out of the habit over the last month. Hopefully Friday will feel a bit better!

Day 79 – December 18th – Enescu and Waitrose

And I ended up playing the Enescu Cantabile because I don’t like awkward silences and it was clear that nobody else was going to volunteer. More fool me as I didn’t play well at all – numerous wrong notes and rhythms, and it was clear I hadn’t spent enough time on the piano part.

Otherwise, Trevor’s feedback for the day was pretty good. I offered the carol Il est névas or warm-up tune, which went down quite well. By providing the tune, we then get to dictate most of the warm-up exercises, and so I was able to pace things in a way that avoided me getting too flustered with memory!

Similarly, my Dvorak Symphony No. 8 excerpt was generally approved of, though I need to be more precise with some rhythms and would need to be more expressive at the start of the excerpt in an audition context. Trevor talked a lot about breathing with this one, and suggested that we use some judicious cutting of slurs after the first quaver of bars near the end to mask where we take a breath. Though sight reading an excerpt from the Grieg piano concerto wasn’t fun, I found this part of the class really useful, and a good reminder of just how high the orchestral standard is.

After class, we went on an impromptu trip to Waitrose in Ashford, mostly so that Trevor could get Christmas supplies for those that are staying over the break. Left to my own devices, I had a pleasant wander round choosing a few Christmas treats for my family and marvelling at some of the things they had in stock.

Rehearsal tomorrow, concert Saturday and a short class on Monday, then it’s holidays!