As I sit writing this there is one big storm going on outside. It started just after 4pm, just as I’d decided to go for a walk, and looks set to stay for the night. Hopefully my room won’t get too cold with the wind.
After the very late arrival home last night, I had a bit of a lazy morning, helped on by some Skype chats with friends in Australia. To be honest, I could have done with a day off practice all together, and if we didn’t have class tomorrow would certainly have been tempted to leave the flute in its case and go on a very long walk! This lack of motivation to practice seems to be a problem in recent weeks – I feel ready for a break to properly relax and digest all the information I’ve received. I think most of the others feel the same way too, as nobody seems terribly enthusiastic about class! However, we still have five weeks to go, and so the holiday will have to wait a bit longer.
I decided today to cut the technique practice down a bit and make sure that I had plenty of time to work on studies. The Moyse 25 Melodic Studies still feel hairy, and I know that with more time I will continue to improve on all the various aspects of articulation. For now, I know I’ve worked hard on it for the past week and that I’ve improved, with I need to keep in mind whatever the feedback tomorrow. By contrast, I’m rather surprised and pleased that Andersen No. 15 feels quite good. On Friday I probably would have said it couldn’t be ready in time, but with quite a bit of work yesterday and today it’s sitting quite nicely. Hopefully it’ll sound good in class tomorrow, and my ability to learn things quickly is improving.
Though I spent most of the day lacking in motivation, a CD I listened to this evening has reinvigorated my musical passions. My listening topic for this week is Barthold Kuijken, a baroque flute specialist. One of the CDs I borrowed out is of a live concert recorded in Rome as part of the Flautissimo series, and features Kuijken playing three of Telemann’s Fantasies for solo flute. The performance was beautifully rhetorical – every note had a meaning and the music was just stunning. Then the next track was of Mario Caroli playing Ferneyhough’s Carceri d’invenzione IIb! A wonderful contrast, and testament to the diversity of the flute. It’s the Telemann, though, that will be playing through my dreams tonight.