Day 179 &180 – March 28th & 29th – Final Feedback

I didn’t manage a blog post yesterday because I ended up staying in Wye for the night with Mum and her friends. As there isn’t much fluting to report any more, I feel ok with combining two posts!

Yesterday morning was feedback class. To be honest, I was expecting some sort of pronouncement on whether Trevor thought we should continue with the flute or give up entirely, as there stories of that happening in the past. It was actually quite civilised and, by the flute studio standards, gentle. Not much was really said that we hadn’t heard before, and it was mostly us who gave each other feedback rather than Trevor.

My main points were:

– Fix vibrato, as it’s to fast and erratic. I’ve known this from the beginning of the course, and know that I need to go back to basics, starting with straight tones for a few weeks and then gradually adding vibrato back in. A few of us got this advice, and were told it would be some of the worst few weeks of our playing, but that the it would work to fix it. The coming months, when I don’t have performances but will have time to practise, is a perfect opportunity to do this, and it will be first on my priority list once I’m back into it again.

– Fix intonation, which is not consistent. This is an interesting one: I have always felt and been told that intonation is a weakness, but when I arrived at the studio in October no mention of it was made at all for the first month. When I brought it up one class, Trevor went as far as expressing surprise that I said it was a problem. Then it has gradually crept back into the feedback I get, and if late (as the nerves have escalated), it has been on the cards more and more. So, I think part of it is to do with nerves, and I need to find a way of controlling my intonation even when nervous. I also need to go back to some basics here, spend more time playing with drones and working on simple tunes and exercises, with piano wherever possible. I still see this as my biggest musical challenge, and the time here has helped to clarify that.

– Relax about things, which I definitely agree with! I play best when I’m a bit up but not terrified, and when I am nervous I do really stupid things like warming up in the wrong key and playing strange wrong notes. Hopefully moving on from this environment will help with the nerves, but I need to work on focused, mindful playing in a broader sense as well.

Otherwise, the feedback I received from the others was mostly positive. I was told I had improved a lot with expression and dynamic range, and need to continue along that path rather than going back to how I played before. I have stopped waving my flute around, and also stopped playing unevenly, which is also good. Interestingly, no other mention was made of rhythm, or at all of articulation. I know that these are two areas that aren’t totally solid, and still need work. Articulation in particular. I’m looking forward to returning to Moyse’s 50 Variations and really playing each variation well.

As for today, I’ve been packing and need to do some more cleaning. I’m still not convinced everything will fit in my rucksack, but am getting somewhere!

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